2022考研英語(yǔ)二大作文預(yù)測(cè)：表格

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　　2022考研的考生已進(jìn)入沖刺復(fù)習(xí)階段，距離初試還有不到10天，任務(wù)重，壓力大?，F(xiàn)階段英語(yǔ)習(xí)題以真題和預(yù)測(cè)題為主。下面小編整理了2022考研英語(yǔ)二大作文預(yù)測(cè)：表格，以供大家參考。

　　1. 北京市交通出行方式歷史對(duì)比

　　Directions：

　　Write an essay based on the following chart. In your writing, you should

　　1) interpret the chart, and

　　2) give your comments.

　　You should write about 150 words on the ANSWER SHEET. (15 points)

　　The table shows the proportions of choosing various means of transportation in Beijing in 1986 and in 2012. To be specific, obvious changes happened in the number of people who choose to travel by car, by subway, and by bike. The proportion of choosing cars as the vehicle of going out soared from 5% in 1986 to 33% in 2012. The percentage of taking a subway jumped from 2% in 1986 to 17% in 2012. However, the percentage of riding a bike plunged 48%.

　　As far as I am concerned, there are several factors that have contributed to this tremendous change. Firstly, with the rapid development of Chinese economy and the improvement of living standard, more and more people can afford to buy cars. This could give rise to the sharp increase in the number of new cars. Secondly, the subway system in Beijing has been greatly extended during the past several years, which has attracted a large number of commuters. Thirdly, living in this modern metropolis, people have to adapt to the increasing rapid pace of life. Riding a bike thus may fail to satisfy people’s needs in many cases.

　　According to the data in this chart, we must realize that a fast and efficient public transport system should be developed in order to avoid possible problems in the future. Only in this way can we expect a more harmonious society.

　　譯文：

　　該表顯示了1986年和2012年在北京選擇各種交通工具的比例。具體說(shuō)來(lái)，選擇開(kāi)車、坐地鐵和騎自行車出行的人數(shù)量發(fā)生了明顯的變化。選擇汽車作為汽車出車的比例從1986年的5%飆升至2012年的33%。乘坐地鐵的比例從1986年的2%躍升至2012年的17%。然而，騎自行車的比例下降了48%。

　　就我而言，有幾個(gè)因素促成了這一巨大變化。首先，隨著我國(guó)經(jīng)濟(jì)的快速發(fā)展和生活水平的提高，越來(lái)越多的人買得起汽車。這可能導(dǎo)致新車數(shù)量的急劇上升。其次，北京的地鐵系統(tǒng)在過(guò)去幾年中得到了極大的擴(kuò)展，吸引了大量的通勤者。第三，生活在這個(gè)現(xiàn)代化的大都市里，人們不得不適應(yīng)日益快速的生活節(jié)奏。因此，在許多情況下，騎自行車可能無(wú)法滿足人們的需求。

　　根據(jù)本圖表中的數(shù)據(jù)，我們必須認(rèn)識(shí)到，必須發(fā)展一個(gè)快速、高效的公共交通系統(tǒng)，以避免將來(lái)出現(xiàn)可能的問(wèn)題。只有這樣，我們才能期待一個(gè)更加和諧的社會(huì)。

　　2. 中國(guó)電影與美國(guó)電影票房對(duì)比

　　2016年中美電影票房統(tǒng)計(jì)

　　類別中國(guó)電影美國(guó)電影

　　國(guó)內(nèi)票房(億人民幣)243132

　　本國(guó)全年票房占比81.0%33.0%

　　海外票房(億人民幣)57268

　　本國(guó)全年票房占比19.0%67.0%

　　From the table given above, we can observe that the box-office revenue of Chinese films and Americans films demonstrates evident distinctions in 2016. According to the data given, the domestic box-office revenue of Chinese films has a large share in China, accounting for 81% of the whole revenue in China. While the domestic box-office revenue of American films in the local market takes away 33.0% of the whole American film proportion.

　　Such difference may be rooted in the following reasons. First, Chinese film’s main target audiences are those who have solid knowledge of Chinese culture and history. Hardly can the audience understand the plots without Chinese cultural background. Second, American film company has a great advantage at distribution and marketing, they know what their audiences really like after doing a series of serious studies.

　　Taking into account what has been argued, it is no surprise to see this situation. If the Chinese film maker makes little or no independent reflections on the film’s production, distribution and marketing, the market share of Chinese film will go from bad to worse.

　　譯文：

　　從上表上，我們可以看到，中國(guó)電影和美國(guó)人電影的票房收入在2016年表現(xiàn)出明顯的差別。根據(jù)所給出的數(shù)據(jù)，中國(guó)電影的國(guó)內(nèi)票房收入在中國(guó)占很大份額，占中國(guó)總收入的81%。而美國(guó)電影在國(guó)內(nèi)市場(chǎng)的國(guó)內(nèi)票房收入則奪走了整個(gè)美國(guó)電影占33.0%的比例。

　　這種差異可能源于以下原因。首先，中國(guó)電影的主要目標(biāo)受眾是那些對(duì)中國(guó)文化和歷史有扎實(shí)了解的觀眾。觀眾幾乎無(wú)法理解沒(méi)有中國(guó)文化背景的情節(jié)。其次，美國(guó)電影公司在發(fā)行和營(yíng)銷方面有很大的優(yōu)勢(shì)，經(jīng)過(guò)一系列認(rèn)真的研究，他們知道觀眾真正喜歡什么。

　　考慮到所爭(zhēng)論的情況，看到這種情況并不奇怪。如果中國(guó)電影人很少或沒(méi)有獨(dú)立思考電影的制作、發(fā)行和營(yíng)銷，中國(guó)電影的市場(chǎng)份額將越來(lái)越差。
　　(本文為跨考教育教研室老師原創(chuàng)，轉(zhuǎn)載請(qǐng)注明出處。)